- James Duffy
- 5 days ago
- 6 min read
What are the most common mistakes people make when hiring a studio and how can you avoid them?
Hiring a film or a professional photography studio might seem simple, but mistakes can affect timing, quality and budget. Whether you're producing a commercial, music video, fashion campaign or branded content, knowing what to avoid will help your shoot run more smoothly. This guide covers the most frequent studio hire errors and gives you clear, practical tips to help you plan properly and choose a studio that works for your project.
What We Cover In This Article Discussing How to Avoid Common Studio Hire Mistakes
Skipping a Proper Visit Before Booking
Relying on studio photos online is risky. Pictures might not show sound levels, space constraints or how the lighting setup really performs in person. Technical compatibility, like grid height or equipment access, is difficult to assess through images alone.
A recce allows you to check features like drive in access, ceiling clearance, usable square footage and facilities such as changing rooms and client viewing areas. Mammoth Studio, for instance, offers 8000 square feet of working space, two shutter door loading bays and a dedicated car park. Seeing it first hand helps you plan more confidently.
How much space do you really need for your production?
Studio hire should always reflect the needs of your script and shot list. Film productions often underestimate space requirements. Once you add in crew, kit, studio lighting hire, rigs, art department needs and performance space, even a medium sized studio can feel cramped for a commercial studio shoot.
Mammoth provides enough space for crews working across departments. The separate production office, makeup room, green room and photography area allow multiple teams to prep and shoot without clashing. This layout also keeps your workflow tidy and supports safety and efficiency.
Why you should always check technical requirements before you book
A studio may look good on paper but still fall short if its technical offering does not support your shoot. For instance, lighting setups that draw high amperage, truss mounted rigging, or multicam productions with video village need strong infrastructure.
At Mammoth, you have access to 200 amp three phase power, a 40 foot by 40 foot motorised box truss with a one tonne payload, and internal 12G SDI video routing. The studio also provides a symmetrical 4Gbps wired internet connection, which is ideal for livestreaming or remote client monitoring. Always match your shoot requirements with a studio’s capabilities.
Not thinking about crew comfort and workflow
A professional shoot lasts hours or even days, so the comfort of crew and clients matters. Lack of facilities slows things down. If you do not have a makeup room, quiet green room or production area, you will end up juggling tasks inefficiently.
Studios like Mammoth offer client friendly viewing decks and comfortable rest spaces for cast and crew. These areas are not just nice extras. They help your team focus, reset and deliver better results on camera.
Underestimating how important access and parking is
Logistical access is one of the first things a line producer checks, yet many production teams overlook it when booking. Narrow corridors, no lift access, or limited parking can delay setup and impact morale.
Drive in access, wide doors and onsite parking make things easier. At Mammoth, the production crew support can unload directly into the space via two large shutter doors and benefit from 30 on site parking bays. These features make a real difference on shoot days.
Failing to read the studio’s terms before booking
Each studio has its own policy around overtime, cleaning charges, repainting the cove or using third party suppliers. Skipping this information can lead to unexpected costs and awkward last minute negotiations.
Mammoth provides London film studio hire with a clear rate card details, covering options like custom cove paint, early access before 7am and overtime rates after midnight. Being clear from the start allows for better cost control and fewer surprises.
Choosing a studio based only on price
Going with the lowest quote often leads to compromises. You may end up in a studio that lacks proper power supply, doesn’t have blackout facilities or feels worn down. Your location reflects your production values, especially when clients are on site.
Studios like Mammoth offer value through quality. In house lighting through Cinelight London and a modern, well maintained space ensure your production feels professional from start to finish.
Not checking equipment policies or supplier restrictions
Many studios have preferred or exclusive kit hire partners. Others limit outside equipment for insurance or compatibility reasons. Turning up with the wrong gear or assuming your team can bring in everything may cause hold ups.
Mammoth works with Cinelight London for motion lighting and Gripvan for photography. These suppliers know the space and can help build a fit for purpose lighting plan that works with the studio’s infrastructure.
Bringing in a crew that lacks experience in studio productions
A great space can still produce poor results if the crew are not used to working in a studio setting. Lighting techs, gaffers and camera operators need to understand power distribution, studio etiquette and how to use rigging and grip equipment safely.
Studios like Mammoth are often happy to recommend trusted freelancers who know the space. Using experienced crew helps avoid technical errors and keeps the shoot moving.
Trying to shoot too much in a single day
Packing an unrealistic number of setups into one session puts pressure on everyone. It often leads to rushed scenes, missed shots and mounting stress as the day progresses.
Plan a sensible schedule that allows for rigging time, model changes and shot adjustments. Mammoth allows clients to arrange early access or extend hours where needed. Giving yourself a buffer keeps quality high and stress low.
Not preparing for lighting needs properly
Lighting setups vary based on the type of shoot. Green screen, beauty campaigns or cinematic drama each need different equipment, angles and rigging points. Using unsuitable lighting or not allowing setup time can ruin your footage.
At Mammoth, the truss grid and professional grade lighting options from Cinelight allow complex setups to be done safely and quickly. If unsure, ask the team for support with planning your setup.

Overlooking safety on set
Studios must be safe. Cables, rigging, heat from lights and heavy equipment all need managing. Small oversights can cause accidents that halt production.
Mammoth offers features like fire detection, accessible extinguishers and a solid concrete floor. Always brief your team on safety procedures and walk the space before rolling.
Leaving the studio messy at the end of the day
Studios expect to clean the space, but if you leave rubbish, gaffer tape or damage behind, you risk extra charges or poor relationships.
Mammoth includes basic cleaning but repainting or serious tidy up comes at an extra cost. Treat the space with respect and let the team know about any damage before leaving.
Not double checking details before the shoot
Missing access instructions, forgetting to confirm timings or failing to ask about studio rules can slow things down. It’s worth calling or emailing a few days before to run through everything.
Mammoth sends out an information pack covering contacts, safety guidelines and arrival instructions. They also provide a studio assistant on the day, so if anything needs sorting, help is on hand.
Skipping follow up after the job wraps
A short thank you email or a bit of feedback goes a long way. It also helps if you need to return for reshoots. Studios remember the crews who treat them professionally.
Mammoth has had great responses from production teams and encourages open feedback. Positive relationships lead to easier bookings next time.
Have You Ever Made Any Of These Common Mistakes?
Yes, I am brave enough to admit it anonymously
No, not me!